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Originally Posted by iltos i'm assuming here you're talking about the quality of the recording, rather than the quality of the songwriting.
if so, it's an interesting point, particularly if its true -and i admit to a vast chasm in my understanding of the issues here.
but in a capitalist business model, it usually proves true that "you get what you pay for", and access to free files would lend itself to an expectation of less quality, wouldn't it?
most youth simply don't care and part of the reason for that is the product itself......music is not a digitally mastered CD....and that's what the industry spends it's millions on producing and promoting.
music exists outside that world: it's impact and experience are user defined....like a painting.....and those things will continue to exist outside the industry.
it is the very thing which makes the definition of a musician as an artist valid, imo. |
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i'm assuming here you're talking about the quality of the recording, rather than the quality of the songwriting.
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Actually, an argument could be made for degradation in either case.
What song writer considers considers working for less than his perception of value and what promoter intends to distribute a quality transfer of the finished product if the economic return is diminished beyond expectations?
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but in a capitalist business model, it usually proves true that "you get what you pay for", and access to free files would lend itself to an expectation of less quality, wouldn't it?
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I would think so.
But there is also the concept of lost leaders to entice the attention of the music listener.
That is good promotion if there is value to advertise.
And very often, profit is associated with discounting on large scale to 'make up the difference' in volume.
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most youth simply don't care and part of the reason for that is the product itself......music is not a digitally mastered CD....and that's what the industry spends it's millions on producing and promoting.
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Indeed. To a great extent.
Many do not seem to relate to forward thinking.....relating only to the pleasures of the moment.......I probably did too

The business model of the music industry is under pressure to change and adjust to this relatively recent social problem of rationalizing stealing as a business model.
But it goes beyond music.
Also is the consideration of movie piracy. A product that is often in the 100s of millions of dollars to produce in blockbuster scale.
Legalizing piracy in that realm obviously lowers returns, logically leading to lower budgets and less quality in the final product.
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music exists outside that world: it's impact and experience are user defined....like a painting.....and those things will continue to exist outside the industry.
it is the very thing which makes the definition of a musician as an artist valid, imo
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And yet, it's likely the rare artist that produces with out the expectation of adulation from his/her audience expressed in material gratification

Rock stars live rich, movie stars live rich, famous living artists usually live rich........

As noble as it sounds, Bob.....it's a rare find to come across professional artists that treat their art as non productive 'hobbies' to share with the world.