There are many good things about these forums, the most important of which are the many, many fine people here who are willing to help, even if they do have opinions different from mine (he-he).
The "best" camera is about as subjective as it gets. So, I'll give you my own background and then you will understand my choice. So, what is "best" for me will probably not be your "best".
Back when digital was only an idea, I was a semi-pro photojournalist for several years. I have been publised by
People Magazine and CBS
60 Minutes and in over forty other countries' magazines and newspapers. I learned over time that the camera that is technically the best instrument with the highest resolution and sharpest image-making capabilities isn't necessarily the "best" choice for any particular person or specific use.
I don't do that work any more and I have since sold all my equipment. All I do now is my grandkids and the rest of my family.
The most important instrument in good photography is the guy framing the picture, arranging the lighting and pressing the button.
Choose a camera that you feel comfortable with. I would not accept less than 3-Megapixel. If you are going to print a lot of 8" x 10" images, or if you are going to significantly crop your 4" x 6" images before printing, and you want professional-looking results in the print, get a six-megapixel camera--or at least get as many megapixels as you can afford.
You see, when you significantly crop an image and still print the cropped portion at 4" by 6", you are essentially printing a small portion of the image at a much larger size than it would be if not cropped. So, crop an image enough and you may have the equivelent of small portion of a 16" by a 20" print that might look very pixelated. That's why you want as many megapixels as you can afford if you are doing 8" x 10" or significantly cropped 4" by 6".
I hope that makes sense to you. If it doesn't, just post back and I'll be glad to help you with it.
Personally, I use the Fuji FinePix S602; however it is about a year old and if I were getting one today, I would probably make a different choice. Digital zoom is as useless as it gets. If I could save a dime on a $700 camera by leaving off digital zoom, I would. It is totally useless. It is just a sales gimmick that works on only those who are ignorant of what it really is.
One feature I like about my S602 is that it does 30-frame-per-second AVI files with sound. With a 1-Gig Compact Flash card, I can make a 15-minute film clip with sound. Since I discovered how well that feature works, I find myself making as many 15- to 30-second clips as I do still images.
I also like its ability to focus down to near 1:1 ratio. That means I can fill the frame with a close-up of a butterfly or a flower at the local botanical gardens.
Don't dismiss the film-clip capability as something uninteresting. Being known for having been a professional photographer at one time, family and friends have asked my advice and some have gotten the S602. When I told them about the film-clip capability, they all pretty much scoffed at the idea; but, every one of them has now been won over and they all make at least one AVI clip at all family gatherings.
Yes, I know, you may already have a digital movie camera; but, is it always in your hand at the flip of a switch when you want it? Mine is. It's built into my still camera and all I have to do is flip a thumb switch to activate it.
There are many other things that will come into play when making your selection. For good explanations of terms and generally good information, try these links:
MegaPixel Digital Imaging Glossary Digital Cameras and Photography Digital Camera Reviews Digital Camera Review - Forums
I do know of only one camera that I suggest you avoid. It is the Fuji FinePix 2800. According to what I read in the forums, I decided it had a design flaw. The lens focusing/mount mechanism was weak and it suffered from
permenent, irreversable jams and in two cases written about in the forums, the lens literally fell out on the ground. Fuji claimed user abuse in all cases and would not make an in-warranty repair. However, I saw this written about in the forums by six people and no other camera seemed to suffer from this malady.
I had just bought one at the time and I printed out all those threads and took the camera and the documentation back to the dealer and got a refund. The 2800 is now an out-of-production model and you probably will not see it available anywhere. The 3800 looked exactly like the 2800 and, except for the 2800/3800 embossed on the body, they are indestinguishable. Having seen they appeared identical in every other respect, I was be afraid the 3800 had the same focusing and mount mechanism so I avoided it, too.
I hope all this has been worth the read.